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UNICASA Ib

Cagliari, Facoltà di Ingegneria e Architettura, Complesso Mauriziano

July 2024 – May 2025

The new UNICASA Ib timber structure surrounding a tree in the Santa Croce courtyard.

The workshop, held at the former Jesuit College in the historic district of Castello–now home to the School of Architecture in Cagliari–took place in two phases separated by a period of nine months. The project stems from a desire to improve the liveability of the courtyard and the need to resolve certain issues relating to the accessibility of the open spaces, the teaching rooms and the “Gaetano Cima” Lecture Theatre, which remained unresolved following the architectural refurbishment works carried out in previous years. The natural system of varying levels on the Castello hill is reflected within the historic building through a complex circulation system resolved primarily by means of staircases. The interventions carried out during the workshop include the entrance ramp to the courtyard of the classrooms, the positioning of which restores a coherent design to one of the four elevations of the open space, filtering the relationship with the private properties overlooking the courtyard. The cloister is further enhanced and reimagined by the addition of seating and benches, which expand the possibilities for using the open space in its entirety. The second feature, situated at the end of the entrance corridor to the Aula Magna, allows users to overcome the height difference via a ramp of just a few metres and access the lecture hall and toilets independently. This ramp, constructed using a framework made from 7x7x400 cm cross-cut spruce timber, is finished with a cladding of Chilean pine plywood panels. The ramp also provides an opportunity to incorporate a vertical element, such as an information totem, which can be used to display banners for conferences and academic events. A further intervention concerns the study room in Via Santa Croce, a compact space in which a storage wall has been installed to organise the area, separating a small service and entrance area from a more central space which, when required, can be arranged for group study at tables, to host small presentations, workshop activities or informal recreational activities.

Andrea Margagliotti

Sequence of drawings and photographs of the courtyard access ramp, Via Santa Croce study space and Aula Magna intervention by UNICASA Ib.

A connecting ramp between Via Stretta and the classrooms of the Collegio Mauriziano. This double ramp features a variable slope to reconcile the different levels of the courtyard. The ramp amplifies the threshold and establishes a new backdrop for the courtyard, relegating the overlooking private houses to the background by playing on the figure-ground relationship.

The ramps are contained by vibrated wooden planes that do not touch, creating compressions and expansions of space.

Top view from the lecture hall showing the relationship between the courtyard, the wooden ramp planes, and the structural spacing of the twin timber joists

The new architectural device forms a serviced partition that divides the student space into three distinct areas. On one side, it creates a threshold toward Via Santa Croce, accessed via the portico, while on the other, it provides a storage space. The remainder of the area is designed as an equipped laboratory classroom. Furthermore, the device functions as a storage wall to display architectural models and educational materials.

The partition regulates the two access systems: the more direct route via the steps located at the auditorium’s secondary entrance, and the slower path along the ramp, which leads to the highest level of the intervention and provides access through the auditorium’s rear entrance.

The totem screens one of the entrances to the auditorium while serving as an information panel, introducing ongoing and upcoming events before visitors enter the hall.

The landing platform offers a suitable space for the display of large historical models that currently lack an appropriate location.

Scientific coordination
Carlo Atzeni, Ivan Blečić, Edoardo Currà
Design Coordination
Michele Agus, Chiara Cabras, Stefano Cadoni, Giulia Giliberto, Pietro Leonardi, Andrea Margagliotti, Francesco Marras, Emanuel Muroni, Maria Carla Saliu
Photograhy
Cédric Dasesson

Participants

  • Lorenzo Angius
  • Michele Arca
  • Daria Boccone
  • Valerio Campus
  • Giacomo Casu
  • Giulia Demontis
  • Chiara Frau
  • Michele Gianfico
  • Vladimir Karanevich
  • Enrico Mathieu
  • Gaia Murgia
  • Fabio Piliu
  • Francesco Puggioni
  • Marco Gabriele Salis
  • Federica Scano
  • Andrea Serra
  • Luca Usai
  • Giulio Abis
  • Letizia Addari
  • Maria Francesca Are
  • Francesca Aresu
  • Annamaria Atzeni
  • Davide Rawiri Atzeni
  • Eleonora Babboni
  • Davide Bandino
  • Marta Borsetti
  • Chiara Caddeu
  • Claudia Camedda
  • Elisa Cani
  • Alessandro Casula
  • Nicolò Casula
  • Sofia Elisa Cerina
  • Alessandro Cogoni
  • Chiara Colombu
  • Alberto Coraddu
  • Alessandro Corellas
  • Manuel Corona
  • Giovanni Curreli
  • Matteo Deiana
  • Gaia Deiana
  • Martina Deplano
  • Matteo Dessi
  • Davide Fadda
  • Vincenzo Falconi
  • Sara Ferraro
  • Viola Floris
  • Lara Garlaschi
  • Filippo Laino
  • Riccardo Lasio
  • Martina Lattucca
  • Roberto Loddo
  • Chiara Loi
  • Matteo Lostia
  • Vittorio Manca
  • Veronica Gaia Mattana
  • Anastasia Melis
  • Francesca Melis
  • Manuela Melis
  • Sara Melis
  • Federica Melis
  • Sara Montisci
  • Luca Mulas
  • Eleonora Mura
  • Nicola Musio
  • Denise Onnis
  • Fabio Palmas
  • Giulia Pati
  • Anastasia Pedocchi
  • Veronica G. Pettineo
  • Fabrizio Piludu
  • Fabio Pisano
  • Francesca Pisano
  • Emilia Pitzalis
  • Davide Podda
  • Alice Rachele Puddu
  • Serena Puxeddu
  • Luca Reale
  • Alessia Ritzu
  • Fabio Rossi
  • Mafalda Saba
  • Elettra Scalamera
  • Giulia Scandella
  • Sara Serra
  • Elena Simbula
  • Claudio Soi
  • Elisa Talon
  • Andrea Tilocca
  • Alessia Tocco
  • Chiara Tuveri
  • Matteo Uras
  • Andrea Alagia
  • Eleonora Venditti
  • Nicole Fantasia
  • Alice Manigrasso
  • Maria Oman
  • Elisa Papacchini
  • Anna Cosenza
  • Wang Zuxing